This is a close up of plate #71, as you can see
there is writing in the book.
71: The man is reading HISTORY.
The ribbon-like drawings
are scroll material
on which the scribes wrote during
the time period that the artist did the plates. I have lightened
the area at top left to show a collection of writing pens and an ink
horn - also see cut out at right.
represents TIME [see moon cycle chart right column], the apron-shaped
item is an animal hide
or skin, of which they made parchment material for writing upon -
probably the hide of a deer. Notice the deer [stag/buck] in plate #72 -
these two plates work together.
bends and curves in the 'scroll ribbon' represents the bends and turns
history. The horizontal board or shelf above the heads of women
represents 'below ground', as in the grave. Notice the 'scroll' below
shown with bend curved inward whereas the top 'scroll' shows the bend
extending outward. The man depicted is the artist who did the plate
|The 3 women represent specific
individuals who lived in past history. After the image of the 2nd woman
there is a 'scroll' curved
inward, here is where history has been misrepresented, as per the
inward scroll. The history book, which could be the bible, since most of
the plates deal with popes, is misrepresenting the women, particularly
the 2nd woman - see how the scroll touches her and extends onward in
time. This 2nd woman is undoubtly Mary Magdalene, shown with her hair
all astrue as if she were some sort of harlot or unsaintly woman. The
1st woman is an older woman, oldest in time, that is, and is Mary
Mother of Jesus. The 2nd woman is the wife of Jesus; and the 3rd woman
is the daughter of Jesus and Mary Magdalene. This is what the plate
images are saying.
Bone, reed, and, yes, metal
have been found in 15th century archaeological finds. The most
frequently used writing implement in
period was, of course, the ubiquitous quill.. Quills, while the most
ubiquitous of writing
implements, were not the only things used! Bone, reed, and, yes, metal
pens have been found in 15th century archaeological finds.
Paper: this is an
all-cotton rag paper, chosen for its heavier weight and all-natural
fibers, similar to period paper. Documents begin appearing on paper
well before the 15th century; paper begins to be imported into England
as early as the thirteenth century.
72: The artist
shows us that a
portion of history is missing - the pages are blank when it comes to
the true story about the women. Why is it that the Vatican has blanked
out all history on the wife and children of Jesus? Is it because these
descendants would rightfully hold the keys to the kingdom, and the
'church' would lose all rights and authority in this regard? Jesus, at
age 33 upon death, why wouldn't he have been married? Why would Mary
Magdalene have seen his arisen body before the disciples, if she was
some woman of no account?
Notice the 'wheel' has
been changed to a Catholic
chaplet, which is a wreath-like catholic prayer head piece. The 'sroll'
at the top has been
inverted around the chaplet to show the guilty parties. The two
'scrolls' beneath the man have been reversed to the rightful position.
The two women on plate #72 are gazing at a
stag/deer. The Buck here represents Jesus, the woman are Mary, mother
of Jesus, and Mary Magdalene, wife of Jesus. A buck was used because
'his' very own story was written on buckskin, and a big portion of what
he left behind the day he was killed, has been omitted from history.
BUCK (STAG): Heraldry:
will not fight unless provoked".
(Floral) Usually with green
leaves and four roses: the crown of joy and admiration.
Catholic devotional chaplets. 14th century
usually 8 spokes - Denotes
Escarbuncle: eight-spoked wheel.
|Catherine Wheel One prepared to undergo
great trials for the Christian faith.
||Stag: During the Middle Ages, the
often shown with a crucifix
between its horns where, in Christianity, it represented purity and
solitude and was the enemy of Satan, the serpent.
much like the one depicted in plate 71 also is representative of the
"Coronation Wheel". This is the famous rota porphyritic or wheel of
that comes from old Saint Peter’s, the ancient basilica built by
Constantine. It was on this stone that stood the emperors when they
were crowned by the popes. A great
disk in red porphyry, set in the pavement just past the door to the
aisle. On this great wheel
knelt Charlemagne, king of the Franks on the eve of Christmas in the
year 800 CE when Pope Leo III (795-816) crowned him "Roman Emperor"
(so was he acclaimed by all those present), placing the Imperial Diadem
upon his head. On that same wheel numerous other emperors were also
them Lotarian I, Ludvic II, Lambert of Spoleto, Berengar, the two
Ottonians, Frederick Barbarossa and Frederick II.